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Gu Wenmin
PRESENTER


Gu Wenmin
Floral artist
Graduated from the Department of Industrial Design at National Yunlin University of Science and Technology. Works in floral art and is passionate about the aesthetics of conflict.
What we call conflict and destruction is not literal destruction; it is also an attitude and a spirit. It emphasizes breaking out of fixed ways of thinking and seeing things from another perspective. Destructive floral art is not about physical destruction, but about thought: breaking established mental frameworks, reorganizing them, and infusing them with one’s own soul. Through design, it creates a different visual language for floral art and redefines the relationship between people, plants, and space.
Aesthetics of ConflictI use craftsmanship, sculpture, and design techniques to create a conflict aesthetic in the space that is uniquely mine and the plants’!
Fan pageKu flowerhttps://www.facebook.com/kuflowers/
Q & A
Q: How do you start your day?
Q: Where do you usually hang out?
Q: Which restaurant do you go to most often?
Q: What do you do for fun after work?
Q: What’s a book you’ve read recently? What thoughts or takeaways did you have after reading it?
A: Modern Design Meets Traditional Craft: Toshiyuki Kita recommends this book, which discusses the integration of traditional industries with modern industrial design—using design to transform the circumstances traditional industries face in a changing era and redefine their value. The book explains that when Mr. Kita engages with traditional crafts, he first gains an in-depth understanding of the entire manufacturing process and the local cultural background. Only then can design and discussion lead to creations that embody the soul of the object. When design breathes life into traditional crafts, it creates a resonance and warmth between the craft and the product, allowing users to experience and appreciate the culture of local traditional industries and gain a deeper understanding of them.
For me, it is very important to develop an eye for understanding and discovering traditional crafts. This takes time, accumulated experience, and the ability to put ideas into action. The book reveals so much skill that I deeply admire. It shows how design can transform traditional crafts and reveal their new possibilities. When a product is meaningful and beautiful, combining design with functionality, its value is elevated to another level.
The part I find most interesting is watching how Mr. Kita challenges himself and carries out each real-world project: his interdisciplinary thinking, the fusion of Eastern and Western design, the warmth of craft products integrated into everyday life, and his forward-looking perspective on the value of traditional craftsmanship.
Q: What do you find most interesting or appealing about Taiwan?
Q: What do you look forward to most when staying at a hotel?
Q: What is your impression of the hotels under Taipei Inn?
Related information
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Huang Bo-Xun
Use “abundance” and “freedom” as the two central themes of the creative work. Explore the relationship between oneself and one’s living environment, portraying a world that is both abundant and lonely, with a vivid, colorful appearance.
ANO (Ano)
Taiwanese graffiti artist ANO (A-Nuo) considers video games, science, and graffiti essential sources of inspiration and integral parts of his life. He first encountered graffiti through skateboarding in junior high school, and since then, his life has been inseparable from graffiti art.
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